Graphic design, communication design, moving image design, logo design, typography design, photography
Graphic design, communication design, moving image design, logo design, typography design, photography

Focus

Focus typeface is based on the f-stops or focal distance meassurement of a camera lens. Each character in the typeface can reflect the geometric progression of f-stops, which are ratios that determine the aperture size in a camera lens. This geometric progression can influence the proportional relationships within the typeface, creating a harmonious and mathematically consistent visual rhythm. For instance, the strokes of the letters could vary in thickness analogous to the increasing and decreasing sizes of apertures. A larger aperture (lower f-stop number) could be represented by thicker, more open characters, while a smaller aperture (higher f-stop number) might inspire thinner, more condensed forms. This approach ensures that the typeface has a dynamic yet systematic structure, reflecting the balance between light and shadow that is crucial in both photography and type design.

Focus in white on navy by DSTF

Moreover, the visual language of photography, with its emphasis on clarity, focus, and depth, can be further integrated into the typeface design. Serif or sans-serif elements might be crafted to mimic the mechanical and sleek aspects of camera parts, such as the rings of a lens or the precision of a shutter. The typeface could also incorporate subtle gradients or shadow effects, reminiscent of the way light interacts with different apertures. These design choices would not only pay homage to the technical aspects of photography but also create a visually compelling typeface that captures the essence of capturing light through a lens. Ultimately, a typeface inspired by f-stops would embody a unique convergence of art and technology, appealing to designers who appreciate both the intricacies of typographic design and the science of photography.

Focus f1.8

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Focus f2.8

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Focus f5.6

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Focus f11

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